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Grateful Dead Live at Auditorium Theatre on 1976-06-27




Set 1

Cold Rain & Snow, Cassidy, Brown Eyed Women, Big River, Ship of Fools, Lazy Lightning-> Supplication, Friend Of The Devil, Looks Like Rain, Might As Well

Set 2

Let It Grow-> Drums-> Let It Grow-> Wharf Rat, Samson & Delilah, Help On The Way-> Slipknot!-> Franklin's Tower, Sugar Magnolia, E: U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Venue Auditorium Theatre
Location Chicago, IL

Source SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF
Lineage AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Transferred by Charlie Miller;digitalrbb

Notes

Notes:
-- Set 2 is seamless
-- First few notes of Cold Rain And Snow are missing
-- There is some static in Big River
-- Patch source recorded with mics placed at soundboard
-- Thanks to Digitalrbb for the supplying and digitizing the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Reviews

Reviewer: GermanShepherd - - May 16, 2013
Subject: Notes might be off...
Sounds to me like the SBD doesn't come into play until the start of Brown-Eyed Women. CR&S and Cassidy are not SBD quality in my opinion. Still a great show so far.
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: nak 300 mics > sony d-6 > mac
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Source: AUD, unknown mics: CM > 1C > DAT
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
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Source: DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper